Speaking the Truth

January 6, 2013

By C.Patterson True comedy doesn’t exist in your comfort zone. It resides in places that are often too taboo to speak of or too sensitive to touch. You have to be imaginative, immutable, and possess […]

Movie Review of Jack Reacher

December 28, 2012

By Gary Dowell – comments@blitzweekly.com There’s half of a good movie scattered throughout Jack Reacher; unfortunately, it’s overwhelmed by the half that’s not so great. Produced with the intent to kick-start a franchise, it’s so […]

Les Miserables – Movie Review

December 27, 2012

By Gary Dowell – comments@blitzweekly.com Tom Hooper’s (The King’s Speech) extravagant movie adaptation of the long-running musical version of Victor Hugo’s tale of the haves and the have-nots, is systematically big, loud, splashy, and melodramatic […]

The Un-Chick Flick: Django Unchained

December 27, 2012

By Fil Chapa – chapa71@yahoo.com When a film dealing with the hot button issue of illegal immigration first opened in the early 1980s, critics widely condemned Oliver Stones’ stereotypical depiction of immigrants and overuse of […]

THE ANSWER GUY: DECEMBER 27, 2012

December 27, 2012

Dear Arthur, What are your thoughts on me bartering sex in exchange for more money from my kid’s douche bag dad who barely takes care of our daughter? -Signed, Bartering Barbie Perhaps it’s written somewhere […]

Pocketful of Peens: December 27, 2012

December 27, 2012

  Chub’s Second Chance With Her First Crush I’m a big believer in the saying “everything happens for a reason.” For being a self-professed cupid-loving, hero-seeking, hot blooded female, hell yes I believe everything happens […]

Hollywood Profile – Roger Edwards

December 27, 2012

By Vivian Fullerlove – vfullerlove@blitzweekly.com Take note folks, if you haven’t heard of Roger Edwards, it won’t be long before you do! The co-star of Bad Kids Go to Hell, which opened last week and is still […]

The REVIEWser: This Is 40

December 23, 2012

By Gary Dowell – www.movieink.net With 40 Year Old Virgin and Knocked Up, writer-director Judd Apatow gave a white bread Middle America a voice with which to shout its meager frustrations while simultaneously deflating them. […]

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